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David Brody
Planet of the Archbuilders
27 May - 27 June,
2005
Opening: Friday, 27 May, 7-9p

Invitation image
Planet of the Archbuilders: O,
2005
Gouache on paper
30 x 22 inches

Planet of the Archbuilders: E,
2005
Gouache on paper
30 x 22 inches
Planet of the Archbuilders: G,
2005
Gouache on paper
22 x 30 inches

Planet of the Archbuilders: I,
2005
Gouache on paper
22 x 30 inches

Planet of the Archbuilders: K,
2005
Gouache on paper
22 x 30 inches
Using gouache on paper to improvise
infinite possibilities, David Brody has developed the works for his second
solo exhibition at Pierogi. Brody works these paintings through sheer
observation of his own process, encouraging a serendipity that allows
for change and ends in discovery. Brody writes...
To our eyes the great works
of such artists as Piranesi, John Martin, Frederick Church, Claude, and
J.M.W.Turner would be dramatic enough without awkward little humans scurrying
around. It strikes me that this inability to render a convincing figure
is actually the sign by which we can tell that their superb rocks, ruins,
trees, clouds and crags are, essentially, raw structural conjuring—driven
by the mark first and by any specific logic of depiction afterward. At
any rate, this is my own painting method: from the mark outward, and to
the myopic degree that if I arrive at any luminosity or spatial coherence
at all it seems strange and miraculous. All the more unthinkable, by this
improvisation, is narrative—yet in some distilled, 200 proof, "visionary"
sense, narrative is exactly what I'm after. Perhaps it's envy, then, that
prompts me to graft a suggestive literary phrase onto my current paintings.
I first considered re-using a Martin grandiloquence like "The Great
Day of His Wrath," or "Sadak in Search of the Waters of Oblivion,"
but as temptingly apt for our apocalyptic moment as these might be, my
paintings are somewhat more temperate. Meanwhile, a phrase from Jonathan
Lethem's Girl in Landscape had already attached itself to the work without
my quite choosing it. Its haunting mood of intragalactic residue is sympathetic
with the story I would wish my paintings to tell. (Brody, 2005)
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