amanda church   Royal Flesh, 2005 Oil on canvas         Strange Days, 2005 Oil on canvas     RESUME:   SOLO EXHIBITIONS 2006 Michael Steinberg Fine Art, NY 2003 Artek Contemporaries LLC, NY 2001 Art Resources Transfer, Inc., NY 2000 Galerie Hyaline, Marseille, France Galerie du Tableau, Marseille, France 1999 Clifford Smith Gallery, Boston, MA 1997 Galerie du Tableau, Marseille, France 1999 Tender, A-1 Gallery, Knoxville, Tennessee 1998 Project Wall, Art Resources Transfer, New York, NY 1998 Jeffrey Coploff Fine Art, New York, NY 1998 Chick Diptych, Lump Gallery, Raleigh, North Carolina 1997 Galerie du Tableau, Marseille, France SELECTED GROUP EXHIBITIONS 2006 Ambrosino Gallery, Miami, Florida 2005 Inked, curated by Koan Jeff Baysa, SICA, Long Branch, NJ, traveling to Delta Axis@Marshall Arts, Memphis, TN, and the Living Art Museum in Reykjavik Thaw, Clifford Smith Gallery, Boston, MA The Expression of Elemental Passions, Plus Ultra Gallery, NY 2004 In Polytechnicolor, Michael Steinberg Fine Art, NY Paste It, curated by Jean Lee and Martina Schmacher, Angel Studios, Berlin, Germany Bad Touch, Beaker Gallery, Tampa, FL Stop & Stor, Luxe Gallery, NY 2003 NADA Art Fair, Plus Ultra Gallery, Miami Beach, Florida New Museum New Group benefit: 10 Artists Personalize the Fendi Chef Bag, the Maritime Hotel, NY Presence, Scope Art Fair, curated by David Gibson, the Dylan Hotel, NY Before and After Science, Marella Arte Contemporanea, Milan, Italy Tasty Buds, curated by Theresa Hackett, The Workspace, NY Bad Touch, Keith Talent Gallery, London, UK, traveling to the Rose Art Museum, Brandeis University, Waltham, MA 2002 Schmoology, curated by Bill Previdi, M3 Projects, NY Some Are Painting II, curated by David Gibson, NY Three Strong Painters, curated by John Yau, Maryland Institute of Art, Baltimore, Maryland Barometer, Cynthia Broan Gallery, NY Reality Revisited, curated by Matthias Groebel, galerie In Situ, Aalst, Belgium, traveling to Martin Kudlek Gallery, Cologne, Germany A Way of Thinking, curated by Julia Sass, Susanne Hojriis Gallery, Copenhagen, Denmark The Difference Between You and Us, Five Years, London, UK Bad Touch, Space 1026, Philadelphia, PA 2001 Miami Art Fair, curatorial project by Omar Lopez-Chahoud, Miami, FL Buzz (three-person exhibition), Clifford Smith Gallery, Boston MA The Brewster Project, curated by Christopher Ho, Brewster, NY Sex Abroad, curated by Naomi Urabe, Five Years, London, UK 2001 Humanoid, Diverse Works Art Space, Houston, Texas 2000 Local/Global 2000, A-1 Art Space, Knoxville, TN Assorted Flavors, Catherine Moore Fine Art, New York, NY The Figure: Another Side of Modernism, curated by Lilly Wei, Newhouse Center for Contemporary Art, NY Send in the Clowns, Lump Gallery, Raleigh, North Carolina 1999 Pierogi 2000; The Flatfiles, The Rosenwald-Wolf Gallery, Philadelphia, PA Galerie du Tableau, two-person exhibition (with Bradley Rubenstein), Marseille, France Brief Encounter, curated by Eduardo Difarnecio (in collaboration with Leanne Sacramone and Nicolas Profit), Paris, France Go Figure!, Clifford Smith Gallery, Boston, Massachusetts Size Matters, curated by Mike Weiss, Gale Gates et al., Brooklyn, NY Tuff 'n' Tender, Lump Gallery, Raleigh, North Carolina 1998 Pop Surrealism, The Aldrich Museum, Ridgefield, Connecticut Ten From Brooklyn, Second Street Gallery, Charlottesville, Virginia Pierogi 2000: The Flatfiles, The KHaus (Kunstlerhaus), Vienna, Austria The Jewel Box Project, curated by Patrick Callery, GAGA Gallery, New York, NY Jeffrey Coploff Fine Art, two-person exhibition (with Gregory Montreuil), New York, NY Brite Magic, Islip Art Museum, East Islip, NY Pet Shop, Nicholas Davies Gallery, New York, NY 1997 New York Drawers: The Pierogi Flatfiles, Gasworks, London, England Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina Affirm Identity, Kingsborough College Gallery, Brooklyn, NY Current Undercurrent, Brooklyn Museum of Art, Brooklyn, NY Fresh, Jeffrey Coploff Fine Art Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina 1996 Hodgepodge Lodge East, Hovel, New York, NY Light and Color, Jeffrey Coploff Fine Art, New York, NY Round Up, Livestock Gallery, New York, NY Waterline, Black and Herron Gallery, New York, NY Fascination, The Lobby Gallery at the Deutsche Bank, New York, NY BIBLIOGRAPHY Biro, Matthew, “In Polytechnicolor,” Contemporary, No. 66, September 2004 Coates, Jennifer, “The Logic of Wiggles: Amanda Church’s Sunny Biomorphs,” Performing Arts Journal, Volume 77, Spring 2004 Nochlin, Linda, “New Tricks for an Old Dog: The Return of Painting,” Contemporary, No. 58, December 2003 La Ferla, Ruth, “Together Again, That Colorful Couple, Art and Fashion,” The New York Times, September 30, 2003 Kula, Marissa, “The Surreal Thing,” Surface (#43), Fall 2003 Trine Ross, Politiken, "Hoej standart hos Hoejriis"/High Standard at Hoejriis,” December 20, 2002 Meiken Rasmussen, Kunstavisen, "Hello New York," November 2002 Bente Scavenius, Boersen, ”Julefryd i gallerierne"/ Christmas Joy in the Galleries,” December 17, 2002 JPKoebenhavn, "Malerisk Faellesnaevner/Painterly Commondenominator, November 22, 2003 Christensen Pernille Anker, JPKoebenhavn, "Newyokerkunst i gadehoejde/New York Art at Street Level",” November 2002 Ole Noerlyng, Berlingske Tidende, “Dansk/Amerikansk,” November 8, 2002 McNatt, Glenn, “Three Painters,” The Baltimore Sun, June 24, 2002 Giuliano, Mike, “Artscape, Forever,” City Paper, July 31, 2002 Platow, Raphaela, “Bad Touch,” Art Papers, May/June 2002 Reindl, Uta M., Koelner-Stadt Anzeiger, “Barthaare geopfert,” May, 24, 2002 Zeitz, Lisa, “Sozialer Wohnungsbau fur Grossstadtvogel,” (review of “Humanoid”) Frankfurter Allgemeine Zeitung, January 5, 2002 Johnson, Ken, “Humanoid,” The New York Times, December 21, 2001 McQuaid, Cate, “Some Views of the Visual Frontier,” The Boston Globe, September 20, 2001 Cotter, Holland, “Cool,” The New York Times, July 27, 2001 Steinberg, Michael, Up and Coming: An Inside Guide to the Emerging Art Scene in New York, 2001 Horsey, Len, “Hit and Run: Fast/Fat/Fun,” [a-n] magazine, May 2001 Pasquini, Stefano, “Catatonic London (I Come Alive Outside the M25),” NY Arts, May 2001 Nesbett, Peter T., “The Figure,” Performing Arts Journal, Vol. 67, January 2001 Volk, Gregory, “Humanoid,” catalogue essay for Diverse Works, January 2001 Wei, Lilly, “The Figure: Another Side of Modernism” (catalogue essay), January 2001 Viveros-Faune, Christian, “The Figure,” New York Press, October 25-13, 2000 Kley, Elisabeth, “The Figure,” Art News, September 2000 Long, Charles M., “Pop Surrealist Hits South End,” The Beacon Hill/Back Bay Chronicle, December 21, 1999 Valentine, Mark, "Rupturing Reality and Representation," South End News, Dec 9, 1999 McQuaid, Cate, "Striking Portraits at Three Boston Venues," The Boston Globe, July 22, 1999 Pleasants, Craig, "Ten From Brooklyn," Art Papers, July/August 1999 Huntington, Richard, "Exploring the Sights Created in Science," Buffalo News, May 1999 Condon, Elisabeth, Review, Art Papers, July/August 1998 Natale, Michelle, "I Threw Up/Chick Diptych," Spectator, July 28, 1998 Scott, Sue, "Affirm Identity" (catalogue essay), November 1997 Herron, Annie, "Fresh Perspectives," Review, March 1997 Grimm, Jay, "The Chamber Pot Show," Critical Review, January 1997 Nahas, Dominique, "Light and Color," Review, November 1996 EDUCATION B.A. Degree( painting and drawing), Bennington College, Bennington,VT New York Studio School, New York, NY
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	P   I   E   R   O   G   I     2   0   0   0 177 north 9th street brooklyn, ny 11211 718.599.2144 noon to 6p friday through monday and by appointment pierogi 2000 is an innovative art gallery in williamsburg, brooklyn, new york