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Daniel Davidson
Warning Signs
19 May - 19 June, 2006
Gallery 2
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Press
Release
Pierogi
is pleased to present new work by Daniel Davidson. Davidson’s figurative
paintings and works on paper reveal a highly subjective fusion of hybrid
characters, spaces, and styles. The figures that people his works are
often self-portrait caricatures of an infinite variety of possible selves.
His goal “is the creation of a meaningful reflection of the emotional
states inherent in everyday experience. Often employing the comic or the
grotesque, these paintings are multiple and fractured personalities looking
for a cobbled identity.” (Davidson)
This exhibition includes several paintings that riff on well known historical
artworks, such as Leonardo da Vinci’s Last Supper and Michelangelo’s
Pietà. In Davidson’s The Last Summer, he
pokes fun simultaneously at the sober idea of a “Last Supper,”
rampant American self-indulgence, and himself. With its numerous overweight
men stuffing their faces, this painting exhibits more debauched gourmandise
than pious reverence, more Hieronymus Bosch than da Vinci.
In Davidson’s painting, Mr. Everything Pieta (Just In Case),
the Madonna is replaced by a leering, or perhaps dazed, paunchy man sporting
Elton John--esque, star-shaped glasses, 7 pills arrayed on his out-stuck
tongue, and a variety of tools splayed out around him; from a ladder,
to a broom, a machine gun, a baseball bat, and a hobo sack on a stick,
an American “everyman’s” everyday tools. In his arms,
the Christ figure is replaced by a deflated body wearing army boots and
with its head recently ripped off.
Also included in this exhibition are a group of Davidson’s recent
mirror portraits. Done in watercolor on paper, they are Rorschach-like
images—impossibly perfect, symmetric portraits of implausible, imperfect
characters, from Mirror (Miner) to Mirror (Spaghetti Hair).
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