Mark Lombardi   Available Works (as of October 2007) Untitled (UPI Saga - Pat Robertson, Beurt Servaas), c.1999, Graphite on Paper, 23.75 x 53.75 inches Details, following two images   Details, above and below   Below: Nugan Hand LTD, Sydney Australia 1972-80 (6th Version) 1996, Graphite and Colored Pencil on Paper, 51 x 110 inches (54.75 x 112.5 inches framed) Nugan Hand LTD, Sydney Australia 1972-80 (6th Version), Detail   The Recent Drawings: An Overview (Artist Statement) In 1994 I began a series of drawings I refer to as "narrative structures." Most were executed in graphite or pen and ink on paper. Some are quite large, measuring up to 5 x 12 feet. I call them "narrative structures" because each consists of a network of lines and notations which are meant to convey a story, typically about a recent event of interest to me, like the collapse of a large international bank, trading company, or investment house. One of my goals is to explore the interaction of political, social and economic forces in contemporary affairs. Thus far I have exhibited drawings on BCCI, Lincoln Savings, World Finance of Miami, the Vatican Bank, Silverado Savings, Castle Bank and Trust of the Bahamas, Nugan Hand Limited of Sydney, Australia, and many more. Working from syndicated news items and other published accounts, I begin each drawing by compiling large amounts of information about a specific bank, financial group or set of individuals. After a careful review of the literature I then condense the essential points into an assortment of notations and other brief statements of fact, out of which an image begins to emerge. My purpose throughout is to interpret the material by juxtaposing and assembling the notations into a unified, coherent whole. In some cases I use a set of stacked, parallel lines to establish a time frame. Hierarchical relationships, the flow of money and other key details are then indicated by a system of radiating arrows, broken lines and so forth. Some of the drawings consist of two different layers of information—one denoted in black, the other, red. Black represents the essential elements of the story while the major lawsuits, criminal indictments or other legal actions taken against the parties are shown in red. Every statement of fact and connection depicted in the work is true and based on information culled entirely from the public record. —Mark Lombardi, c.1997/8   read some press about mark lombardi @ pierogi 2000 Bibliography: Mark Lombardi's Library
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