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Sarah Walker
Collidescape
16 November
- 23 December, 2007
Opening: Friday, 16 November. 7-9pm
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In
her paintings Sarah Walker attempts to simultaneously absorb vastly different
spatial systems—something that the eye and mind are perhaps not
constructed to do, but are increasingly being asked to. Her paintings
appear to be the residue of natural processes–sedimentation, stratification,
and erosion–because her painting technique mimics these processes.
Working topographically with paper flat on the floor, she floods the surface
with liquid paint which she then proceeds to wipe away, repeating this
process again and again. The residue dots each painting’s surface
with a pattern of drifting landmass or cloud-like forms. Upon these amorphous
shapes Walker builds structures that subdivide and grow in radially creeping
spreads.
“The paintings are a distillation of the cumulative forces at work
in a wide array of fields, among them geology, psychology, and technology.”
Her only rule is to save some artifact from previous layers. “The
necessity to continue layering...elicits all manner of strategies for
saving: archiving, transparency, transcribing, outlining or otherwise
capturing artifacts from every layer. In continually bringing everything
forward in time to the present visual moment, I hope to create simultaneity
of time and space that can be seen topographically and sequentially.”
(Walker, 2007)
In these paintings there are no objects, instead one finds dynamics and
processes. The space between events and the signal that permeates this
space remains while objects and figure/ ground relationships vanish. All
layers, spaces, processes, and dynamics fuse into a larger event; a momentary
coalescence of the formless into an associative web.
This exhibition will feature two seven by ten foot paintings, four 50
by 40 inch paintings, and a group of smaller works.
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