gasworks
"The Pierogi
2000 Flat Files: New York Drawers"
London, England
30 august - 28 september 1997
Time Out London
Pierogi 2000 Flatfiles
Gasworks
Pierogi 2000 is an artist-run
space in Williamsburg, Brooklyn, an area of New York whose cheap housing
has made it a magnet for artists. The problem of how to represent such
a concentration of creativity is the basis of this show; the answer is
the humble flatfile (plan-chest to you and me).
Three hundred artists are represented mostly by drawings; but the definition
stretches to include painted panels, photographs and slimline objects.
Each artist has a work pinned to the wall and by cross-referring to the
plan-chests and donning a pair of coton gloves, you can leaf through a
further selection of work. Drawings are ideally viewed in this way; through
the process of locating, removing and handling indivdual pieces qualities
of sponteneity, expreimentation and intuition are enhanced. If Pierogi
2000 has a gallery style, it's not discernible here. The all-embracing
selection includes a Rayogram of acid tabs and asprins by Fred Tomaselli,
tracing paper stiched to pictures of beds by Teresa Hackett and
drawings made by Eduardo Difarnecio's dancing feet.
Also notable are Leslie
Robert's little paintings. She cuts postcards into jigsaw bits and
then paints out parts of the image. Reassebled and coated in varnish they
take on a jewel-like quality. A steroscopic viewer gives Pat Courtney's
photographs of the city an unworldly spatial depth. Andrew Moszynski's
little paintings are part geometric abstration, part road-sign; Bruce
Pearson's are pure psychedelia. A more convincing representaion of New York art than a dozen
issues of Artforum.
MARK CURRAH
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