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ReynoldsPhiSeriesKappa2.14.25_thmb - no description

 

 

 

 

 

 

 

Reynolds’ unpretentious process and modest media consist simply of drawing in pencil, ink, and watercolor on paper. The results are an explosion of linear inquiry and discovery of relationships. These relationships are based in geometry, which one might think would inhibit intuitive discovery. The relevance that Reynolds brings to this discussion is as an artist. In these recent drawings, he has focused on order in increasingly chaotic conditions, resulting in stunning analytical drawings.

 

 

ReynoldsPhiSeriesKappa2.14.25 - no description

 

 

 

 

 

Left:
“Phi Series: Kappa 2.14.25”
2025
Watercolor and ink on cotton paper
20 x 16 inches
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ReynoldsMarriageIncom.MuNu4.2.24 - no description

 

 

 

 

 

Right:
“Marriage of Incommensurables: Mu and Nu, 4.2.24”
2024
Pastel, ink, and color pencil on cotton paper
20  x 13 inches
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ReynoldsPhiSeriesJungleJazzIII1.14.25 - no description

 

 

 

 

 

Left:
“Phi Series, Jungle Jass, III, 1.14.25”
2025
Watercolor and ink on cotton paper
14 x 10 inches
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ReynoldsThe1.1708SeriesCosmicKite8.29.23 - no description

 

 

 

 

 

Right:
“The 1.1708 Series: Cosmic Kite, 8.29.23”
2023
Pastel, color pencil, and graphite on cotton paper
17 x 14 inches
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ReynoldsPhiSeriesJungleJazzRedux1.21.25 - no description

 

 

 

 

 

 

Left:
“Phi Series: Jungle Jass Redux, 1.21.25”
2025
Color pencil and graphite on paper
17 x 14 inches
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ReynoldsPhiSeriesKappa2.18.25 - no description

 

 

 

 

Right:
“Phi Series: Kappa, 2.18.25”
2025
Ink cotton paper
20 x 16 inches
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ReynoldsMinorThirdSeriesPlansforPlanets, 8.31.23 - no description

 

 

 

 

 

 

Left:
“Minor Third Series: Plans for Planets, 8.31.23”
2023
Pastel, color pencil, and graphite on cotton paper
17 x 14 inches
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Mark Reynolds - "Phi Series Order Chaos Meeting III 6,"

 

 

 

 

 

Left:
“Phi Series: Order Chaos Meeting III, 6.21”
2021
Watercolor, ink, graphite on paper
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“The work develops as much from an artistic and creative process as from any pre-planned calculations, although the perimeter ratio is always predetermined in order to define the specific geometric system I will be working with. It is through an organic process of overlays, tracings, revisions, exploration, and experimentation with geometric systems—specifically, certain ratios and proportioning systems found in rectangles, squares, and triangles—that I have been able to produce the drawings and paintings presented here.”         —Mark Reynolds