CV
BORN
San Bernardino, California. 1944
EDUCATION
1972-73 MFA, Otis Art Institute, Los Angeles, CA
1969-71 BFA, California Institute of Arts, Los Angeles, CA
1964-1966 California Institute of Arts, Los Angeles, CA
SOLO EXHIBITIONS
2014
mountain girl door, Pierogi, Brooklyn, NY
2012
Averno, Pierogi, Brooklyn, NY (October 12-November 11)
Mudman Performances, Barbara Gladstone Gallery, New York(April 7th and 14th, 2012)
2011
Semper Fi, Zeno X Gallery, Antwerp, Belgium (September 9-October 8)
2010
Venice High, Pierogi, Brooklyn, NY (February 12–March 14)
2008
Year of the Rat, Pierogi, Brooklyn, NY (February 8–March 10)
2006-08
Kim Jones: ARetrospective. Curated by Sandra Firmin and Julie Joyce
UB Art Gallery, Buffalo, NY (October 19–December 17, 2006)
Luckman Gallery, Cal State Los Angeles (March 2007)
Henry Art Gallery, Seattle, WA (October 20, 2007–January 27, 2008)
Kim Jones, Viafarini, Milan, Italy (October 17–November 29)
2007
Pierogi Leipzig, Germany (One-person) (April 28–June)
2006
USMC 2241903, Zeno X, Antwerp, Belgium (January 26–March 10) (One-person)
The Drawing Center, January 31. Performance
2005
War Paint, Pierogi, Brooklyn, NY (catalogue) (One-person)
2004
Escape from Flatland, Pierogi, Brooklyn, NY (6 February – 15 March). Catalogue
Kim Jones, Zeno X, Antwerp, Belgium (One-person)
2003
Flatland Wars, Artpace, San Antonio, TX (13 November, 2003–25 January, 2004)
Kim Jones: Dressing Room, Sirius Arts Centre, Cobh, Ireland
2002
Kim Jones: Works on Paper, Pierogi, Brooklyn, NY (One-person)
Annual Exhibition, American Academy in Rome, May-June, Rome, Italy
1999
A Cripple in the Right Way May Beat a Racer in the Wrong One, John Weber Gallery, NY, NY
1997
You Won’t Be Happy Till I’m In a Box, John Weber Gallery, New York, NY
1992
AC Project, New York, NY (installation)
1991
Men’s Room, Lorence Monk Gallery, New York, NY (March)
David and the Giant, Pat Hearn Gallery, New York, NY
Furkart 1991, Furkapasshöhe, Switzerland
Gulliver’s Travels, Galerie Sophia Ungers, Köln, Germany
Drawings, Lorence Monk Gallery, New York, NY
Cut Piece, Randy Alexander Gallery, New York, NY
1990
Mattress Factory, Pittsburgh, PA (installation and performance)
Ash Line, Lincoln Center Out-of-doors New York. (performance with Leonard Titzer)
Sponsored by Creative Time
Kim Jones, Lorence Monk Gallery, New York, NY
1988
Lorence Monk Gallery, New York, NY
1983
Don’t Cry for Me Argentina, P.S.1 Contemporary Art Center, Long Island City, NY
Here’s Icarus, P.S.1, Long Island City, NY
1981
Cut Piece, University of California, Irving, New York, NY
1980
Plant Wars, L.A.I.C.A. (window), Los Angeles, CA
1979
Window Dummy, Artworks, Venice, CA (performance)
80 Langton Street, San Francisco Walk from Sunrise to Sunset, San Francisco, CA
1978
Telephone Pole, Los Angeles, CA (various performances)
1976
Wilshire Boulevard Walk, (sunrise to sunset, January 28; sunset to sunrise, February 4)
CARP, Los Angeles, CA
Rat Piece, California State Fine Arts Gallery, Los Angeles, CA
1975
Oktoberfest, (sunrise to sunset, October 19), R. Mutt Gallery, Mount Pinos, CA
1974
Mudman, Los Angeles, CA (performance)
SELECTED GROUP EXHIBITIONS
2015
Rock, Paper, Scissors: Drawn from the Joann Gonzales Hickey Collection, Pennsylvania Academy of the Fine Arts, Philadelphia, PA (May 15 – November 1)
Drawing in LA: The 1690s and 1970s, LACMA, Los Angeles, CA (May 10 – August 2)
Selections from the Kramarsky Collection, David Zwirner, New York, NY (May 2 – June 20)
Embracing Modernism: Ten Years of Drawings Acquisitions, The Morgan Library and Museum, New York, NY
2014
Group Exhibition, Zeno X Gallery, Antwerp (April 23 – May 31)
Abbey Contemporary, Benedicta, Italy (June 8 – August 31)
Artists for Artists, FCA Benefit, Matthew Marks Gallery, New York, NY
Left Coast: Recent Acquisitions of Contemporary Art, Santa Barbara Museum of Art, Santa Barbara, CA
(May 25 – Sept 14)
2013
Connecting_Unfolding, National Museum of Modern and Contemporary Art, Korea, Seoul, Korea
Unhinged, Pierogi, Brooklyn, NY (5-28 July)
Group Exhibition, Zeno X Gallery, Antwerp (14 April-25 May)
2012
The Spirit Level, Gladstone Gallery, New York, NY. Curated by Ugo Rondinone (March 24-April 21)
Utopia / Dystopia: Construction and Destruction in Photography and Collage, Museum of Fine Arts, Houston, TX (March 11-June 10)
L.A. Raw: Abject Expressionism in Los Angeles 1945-1980, From Rico Le Brun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA (January 21-May 20, 2012)
2011
Pacific Standard Time: Under the Big Black Sun, California Art in the Age of Pluralism, 1974-81, The Museum of Contemporary Art, Los Angeles, CA. Curated by Paul Schimmel (October 2, 2011-January 30, 2012
And All You Suck In Is Oil, The Tang Museum, Saratoga Springs, NY (May 28-September 4)
Subjective/Objective, Pierogi, Brooklyn, NY (July)
2010
17th Biennale of Sydney: The Beauty of Distance–Songs of Survival in a Precarious Age, Sydney,
Australia (12 May–1 August). Artistic Director, David Elliot
Other Than Beauty, Friedman Benda Gallery, New York, NY (June 1–July 30)
Portrait of the artist as a biker, Centre National d’Art Contemporain de Grenoble, Grenoble, France
2009
Compass In Hand:Selections from the Judith Rothschild Foundation Contemporary Drawings
Collection, The Museum of Modern Art, New York, NY (April 22, 2009–January 4, 2010)
The Third Mind: American Artists Contemplate Asia, 1860–1989, The Guggenheim, New York, NY
Curated by Alexandra Munroe. January 30–April 19
All Over the Map, Kohler Arts Center, Sheboygan, WI (February 15–May 10)
Cream, no sugar, Pierogi, Brooklyn, NY (June–July)
2008
Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, NY
Curated by Dede Young (May 11–July 20)
Collage: The Unmonumental Picture, The New Museum, New York, NY (January 16–March 30)
Curated by Richard Flood, Laura Hoptman and Massimiliano Gioni.
Art is a fight to the finish in black and white, Zeno X, Antwerp (January 9–March 8 )
Apocalyptic Summer, Pierogi, Brooklyn, NY (June–July)
2007
New York: State of Mind,”The House of World Cultures, Berlin, Germany.
Curated by Shaheen Merali (Upcoming: August 24–November 4)
Block Party II: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, CA (June 30–Aug 18)
52nd International Art Exhibition La Biennale di Venezia 2007, Venice, Italy
Curated by Robert Storr. June 10–November 21
The Photograph As Canvas, The Aldrich Contemporary Art Museum, Ridgefield, CT.
Group exhibition, curated by Stephen Maine
2006
Second International Biennial of Contemporary Art of Seville, Curated by Okwui Enwezor, Spain
(October 2006–January 2007)
Gallery Artists, Zeno X Storage, Antwerp (September 12–October 6)
Group Exhibition, Pierogi Leipzig, Germany (April 29–July 1)
2005
Reconfigure, Pierogi, Brooklyn, NY
Very Early Pictures, Luckman Gallery, California State University, Los Angeles.
Traveled to Arcadia University Art Gallery, Glenside, PA
Pierogi In Safn, SAFN Museum, Reykjavik, Iceland. Curated by Joe Amrhein and Pétur Arason
2004
Disparities and Deformations: Our Grotesque, SITE Santa Fe’s Fifth International Biennial
Curated by Robert Storr, Santa Fe, NM (18 July, 2004–9 January, 2005)
2003
Online, Feigen Contemporary, New York, NY. Curated by Robert Storr, Charlie Finch and
George Negroponte
Artists and Maps: Cartography As a Means of Knowing, The Ronna and Eric Hoffman Gallery
of Contemporary Art, Lewis & Clark College, Portland, OR
Pierogi Presents, Bernard Toale Gallery, Boston, MA (1 April–10 May)
2002
Exhibition of Foreign Artist living in Rome, Dec 2001-Jan 2002, Rome, Italy
2001
Gezeichnet, Nassauischer Kunstverein, Wiesbaden, Germany
1999
Actual Size, Apex Art C.P., New York, NY. Curated by Nancy Princenthal (brochure)
Monumental Drawings, Exit Art/The First World, New York, NY
Drawn from Artists’ Collections, traveling exhibition:
Hammer Museum of Art, UCLA, Los Angeles, CA
The Drawing Center, New York, NY
1998-99
Out of Actions: Between Performance and the Object 1949–1979, traveling exhibition:
Museum of Contemporary Art, Tokyo, Japan
Museu d’Art Contemporani, Barcelona, Spain
MAK (Austrian Museum of Applied Arts), Vienna, Austria
Museum of Contemporary Art, Los Angeles, CA
1998
Can’t We All Just Get Along?, Deven Golden Fine Art, New York, NY
1997
A Decade of Collecting, The Museum of Modern Art, New York, NY (catalogue)
Inside Out Art Fair, 32 Mercer St., New York, NY. Curated by Kenny Schachter
Artists’ Performances, The New Museum, New York, NY. May 3
Auto-Portrait, Exit Art/The First World, New York, NY. May 2–7
A Private View: Works of Art from Paleolithic to Present, Kent Gallery, New York, NY
1996
Face a l’histoire: 1933–1996, Centre Georges Pompidou, Paris, France (catalogue)
American Dreamin’, Linda Kirkland Gallery, New York, NY. Curated by Heidi Zuckerman
1995
Drawing on Chance: Selections from the Collection, The Museum of Modern Art, New York, NY
Endurance, Exit Art/The First World, New York, NY
War Boards, John Weber Gallery, New York, NY
Temporarily Possessed, The New Museum, New York, NY
Other Rooms, Ronald Feldman Gallery, New York, NY
The Drawing Show, Bernard Toale Gallery, Boston, MA
1994
Mapping, The Museum of Modern Art, New York, NY. Curated by Robert Storr (catalogue)
(6 October–20 December)
It’s How You Play the Game, Exit Art/The First World, New York, NY (through February 1995)
Children In Crisis, Kunstverein, Hamburg, Germany
1993-94
The Return of the Cadavre Exquis, traveling exhibition:
Forum for Contemporary Art, St. Louis, MO
Santa Monica Museum of Art, Los Angeles, CA
The Corcoran Gallery of Art, Washington, DC
The Drawing Center, New York, NY (catalogue)
Go Downstairs Diagonally, Rosamund Felsen Gallery, Los Angeles, CA. Curated by Paul McCarthy
Tattoo, Andrea Rosen Gallery, New York, NY
1992
Writing on the Wall, 303 Gallery, New York, NY
Empowering the Viewer, Benton Museum, University of Connecticut, Storrs, CT.
1991
Burning in Hell, Franklin Furnace, New York, NY. Book show curated by Nancy Spero
Sticks and Stones, Katonah Museum of Art, Katonah, NY. Curated by Barry Walker
1990
Out of Site, P.S.1, Long Island City, NY (installation)
Works on Paper, Paula Allen Gallery, New York, NY
Garbage Out Front: A New Era of Public Design, The Urban Center, New York, NY
Out of the Woods, Fairmount Park, Philadelphia, PA. Curated by Marsha Moss (sculpture installation)
1988
Totem, Peter Bonnier, Charles Cowles and Germans van Eck Galleries (performance)
1987
Other Gods, Los Angeles Municipal Art Gallery, Los Angeles, CA
1986
Choices, New Museum (window), New York, NY (brochure)
Everson Museum, Syracuse, NY
1985
Biennale de Paris, France (catalogue)
American Academy of Arts and Letters, New York, NY
1984
Salvaged, P.S.1, Long Island City, NY
The Clocktower, New York, NY
The Year of the Rat, P.S.1, Long Island City, NY
1982
Brotherhood, Exile Gallery (with Harry Kipper and Paul McCarthy), Los Angeles, CA
1980
Group Exhibition, LACE, Los Angeles, CA
1978
The Grandfathers’ Performance, L.A.I.C.A., Los Angeles, CA. Organized by Barbara Smith.
Including performances by Paul McCarthy, Linda Montano, and Martha Rosler
PUBLICATIONS
2014
Kim Jones: Averno, Pierogi Press, Brooklyn, NY. Essay by Kim Levin
2011
Under the Big Black Sun: California Art, 1974 – 1981, Geffen Contemporary at MoCA, Los Angeles. Eds. Paul Schimmel and Lisa Gabrielle Mark
Pacific Standard Time: Los Angeles Art 1945-80, The Getty Research Institute and the I. Paul Getty Museum, Los Angeles, CA. Eds. Rebecca Peabody, Andrew Perchuk, Glenn Phillips, Rani Singh
2009
The Judith Rothschild Foundation Contemporary Drawings Collection–Catalogue Raisonné
The Museum of Modern Art, New York. Essays by Christian Rattemeyer, Glenn D. Lowry,
Brian Scholis, Jan Tumlir, Manfred Hermes, Isabelle Graw, Martin Herbert, Scott Gerson
The Third Mind: American Artists Contemplate Asia, 1860–1989. Guggenheim Museum
Publications, New York. Texts by Alexandra Munroe, Richard Armstrong
2008
A Life of Secrets: Spit—War Drawing, Pierogi Press, New York, NY. Text by Kim Jones
2007
Collage: The Unmonumental Picture, The New Museum / Merrell Publishers, New York
Essays by Richard Flood, Laura Hoptman, Massimiliano Gioni
Think with the senses / feel with the mind: Art in the present tense, The Fondazione La Biennale
di Venezia, Venice, Italy
Mudman: The Odyssey of Kim Jones, MIT Press, Edited by Sandra Q. Firmin.
2005
Kim Jones: War Paint, Pierogi, Brooklyn, NY
2001
Contemporary Art at MoMA Since 1980. The Museum of Modern Art, New York, NY.
Eds. Kirk Varnedoe, Paola Antonelli, Joshua Siegel
2000
Chain #7, Memoir. Text and portfolio. Pp.98-102
1998
Performance: Live Art Since 1960, Abrams, New York
Out of Actions: Between Performance and the Object: 1949–1979, The Museum of Contemporary
Art, Los Angeles, Thames and Hudson. Essay by Paul Schimmel
1996
Face a l’histoire: 1933-1996, Centre Georges Pompidou, Paris
1994
Mapping, The Museum of Modern Art, New York, NY. Essay by Robert Storr
1992
Art & Otherness: Crisis in Cultural Identity, Documentext McPherson & Company. P.34
1989
Performance Anthology and Source Book of California Performance Art, Last Gasp Press and
Contemporary Art Press, San Francisco, CA
1987
Kim Jones: Unwinding the Vietnam War, The Real Comet Press, Reese Williams. Pp.111-119
Apocalypse Culture, Amok Press. Pp. 81-100
Notations, Richard Flood. Introduction by Nancy Princenthal
AWARDS
2015
Gottlieb Foundation Grant
2009
United States Artists Rockefeller Fellowship
2003
Art Pace Fellowship
2001-02
Chuck Close Rome Prize Fellowship in Visual Arts, American Academy in Rome
1996
Pollock-Krasner Foundation Grant
1993
National Endowment for the Arts Grant, Other Genres
New York Foundation for the Arts Grant, Sculpture
1989
Guggenheim Fellowship
1988
New York Foundation for the Arts Grant, Sculpture
Franklin Furnace Performance Grant
1986
National Endowment for the Arts Grant
1985
American Academy of Arts and Letters
1984
Foundation for Contemporary Performance Arts
1983-84
P.S.1 Studio Program
RESIDENCIES / TEACHING
2003
Art Pace, San Antionio, TX
Sirius Arts Centre, Cobh, County Cork, Ireland
2000
Skowhegan School of Painting and Sculpture, Skowhegan, ME (summer faculty)
1999
Sirius Arts Center, Cobh, County Cork, Ireland
1991
Furkart, Furkaposshöhe, Switzerland
BIBLIOGRAPHY
2014
McGlynn, Tom. “Kim Jones, mountain girl door,” Brooklyn Rail, June 5
2013
Baker, Steve “Artist/Animal,” University of Minnesota Press, Minneapolis & London
2012
Cembalest, Robin. “Old Masters of Our Domain,” ARTnews, October 10
Rosenberg, Karen. “Tapping Psychic Undercurrents,” The New York Times, April 12
D’Agostino, Paul. “A Hellish Hush: Averno,” The L Magazine, October, 24
Stiles, Kristine & Seltz, Peter “Theories an Documents of Contemporary Art, A Source Book of Artists Writings,” University of California Press, 2012
Phelan, Peggy “Live Art in LA, Performance in Southern California 1970-1983,” Routledge, New York
Highlighted artist Fireze Art Fair 2012, Catalogue, New York
2009
Muchnic, Suzanne. “United States Artists announces winners,” The Los Angeles Times, Dec 14
2008
McCarthy, David. “Mudman: The Odyssey of Kim Jones,” The Art Book, February, Vol. 15 / Issue 1.
Pp.15-16
Smith, Roberta. “Year of the Rat,” The New York Times, March 7
Smith, Roberta. “Year of the Rat,” The New York Times, February 29. P.E27 (Illus.)
Egan, Maura. “Now Hanging | What’s New at the New Museum,” The New York Times /
The Moment, January 16. (Illus.)
Wolff, Rachel, “Artist Kim Jones Doodles on Self,” New York Magazine, Arts & Events,
January 29. (Illus.)
Finkelstein, Alix. “Contemporary Cut-and-Paste,” The New York Sun, January 18–20
2007
Subotnick, Ali. “Best of 2007,” Artforum, December, Pp. 336-7 + Cover (Illus.)
Nicholson, Geoff. “Kim Jones, Walking Wounded,” Art Review Magazine, May (Illus.). Pp. 86-91
Clothier, Peter. “Kim Jones at Cal State L.A., Luckman Gallery,” www.artscenecal.com
Genocchio, Benjamin. “Beyond Airbrushing,” The New York Times, April 1
Knight, Christopher. “The Real, Not Mythical, Mudman,” The Los Angeles Times, March 30 (Illus.)
Westerbeck, Colin. “Telephone Pole Piece, Los Angeles,” West Magazine, March 18 (Illus.)
Saltz, Jerry. “The Biggest Picture,” The Village Voice, February 1, 2007
Maine, Steve. “Kim Jone: A Retrospective” Art in America, Nov. 2007
2006
Maine, Stephen. “In Conversation,” The Brooklyn Rail, November (Cover Illus.)
Artnet News, Artnet Magazine, July 6
2004
Yablonsky, Linda. “A Biennial Checklist: Art, Drinks, Checkbook,” The New York Times,
August 22. pp.26
Connor, Jill. “New York: Pierogi 2000,” Contemporary, No.62. pp.69-70 (illus.)
2003
Weintraub, Linda. In the Making: Creative Options for Contemporary Art, Distributed Art
Publishers, New York, NY. pp.208-13
2002
Capasso, Angelo A.A. L’arte per l’arte, Massaioli Editore, Rome
Sorkin, Jenny. “Kim Jones: Works on Paper at Pierogi,” Frieze, Issue 67, May. p.93 (illus.)
2001
Varnedoe, Kirk, and Paola Antonelli, Joshua Siegel (editors). Contemporary Art at MoMA
Since 1980, The Museum of Modern Art
Cabinet, Issue 2, Postcard Project, Spring 2001
2000
Montano, Linda. Performance Artists Talking in the Eighties, University of California Press
Columbia, A Journal of Literature and Art, Issue 33, Winter, portfolio. pp.134-37
Pierogi Press, Volume Five, Spring/Summer (cover artwork)
Zweig, Janet and Nancy Princenthal (editors). Chain #7, Memoir, text and portfolio. pp.98-102
1999
Princenthal, Nancy. “Kim Jones at John Weber,” Art in America, October. p.158
Smith, Roberta. “As Intimate as the Touch of an Artist,” The New York Times, May 21
Schwendener, Martha. “A Cripple In the Right Way May Beat a Racer In the Wrong One,”
Time Out New York, April 15-22
1998
Sinaiko, Eve (editor). Vietnam: Reflexes and Reflections, The National Vietnam Veterans Art
Museum, Abrams, New York
Pierogi Press, Volume II, Fall. pp.44-45 (centerfold)
Blessing, Jennifer. “Acting Out—Learning from Los Angeles,” Parkett, No. 53. pp.178-181
Goldberg, Roselee. Performance: Live Art Since 1960, Abrams, New York
Klein, Jennie. “Acting the Icon/Indexing the Body,” New Art Examiner, October
Smith, Roberta. “Can’t We All Just Get Along? Deven Golden Fine Art,” The New York
Times, July 24
Schimmel, Paul (organizer). Out of Actions: Between Performance and the Object, 1949-1979,
The Museum of Contemporary Art, Los Angeles, Thames and Hudson. (catalogue)
Glueck, Grace. “You Won’t Be Happy Til I’m in a Box,” The New York Times, January 2
1997
Cotter, Holland. “Ideas from the Air Wrapped in Paper: The Modern Surveys Current
Drawing, The New York Times, December 19
1996
Face a l’histoire, 1933-1996 (catalogue)
Perrott, Jeff. “Kim Jones’ Open Stacks,” Arts Media, June
1995
Canning, Sue. “Mapping,” Art Papers, January/February. pp.58-59
Weil, Benjamin. “Mapping,” Art Monthly, No. 82, 1994-95. pp.31-32
1994
Storr, Robert. Mapping, The Museum of Modern Art, catalogue cover and pp.18-19, 37
Smith, Roberta. “Mapping,” The New York Times, October 14
“Calendar (portfolio),” and front cover, Grand Street 50, Fall. pp.113-121
“Go Down Stairs Diagonally,” Art Issues, January/February. p.40
Kimmelman, Michael. “The Exquisite Corpse Rises from the Dead,” The New York Times, Nov. 7
Princenthal, Nancy. Sculpture, March/April. p.59
1992
McEvilley, Thomas. Art & Otherness: Crisis in Cultural Identity, Documentext McPherson
& Company. p.34
1991
Tobier, Nick. “Out of the Woods,” Sculpture, March/April. p.64
Levin, Kim. “Kim Jones,” The Village Voice, March 13. p.88
Larson, Kay. “Summer Stock,” New York Magazine, September 2. p.60
Raynor, Vivien. “From Twigs, Leaves and Mud, a Show of Landscape,” The New York Times, July 14
p.22
Rubenstein, Meyer Raphael. “Books,” Art Magazine, May. p.11
1990
Adams, Brook. “Kim Jones at Lorence Monk,” Art in America, June. p.179
Levin, Kim. “Kim Jones,” The Village Voice, January 30. p.93
Smith, Roberta. “The Vietnam War Ricochets Into the Galleries,” The New York Times,
January 6. pp.31, 34
Hess, Elizabeth. The Village Voice, January 23. p.46
1989
Hayt-Atkins, Elizabeth. “Kim Jones,” Art News, November. pp.188-189
Loeffler, Carl E. and Darlene Tong. Performance Anthology and Source Book of California
Performance Art, Last Gasp Press and Contemporary Arts Press, San Francisco, CA
Carr, C. “An Artist Retreats from Rage,” The Village Voice, September 18. p.97
1987
Festa, Angelika. “Mudman in New York,” The Drama Review, Winter. pp.29-33
Bomb, No. XIV. p.38
Williams, Reese (ed.). “Kim Jones,” Unwinding the Vietnam War, The Real Comet Press. pp.111-119
Parfrey, Adam (ed.). Apocalypse Culture, Amok Press. pp.81-100
Princenthal, Nancy. “The Casualty Catalogues: Memorializing Vietnam Veterans,”
ISSUE, a Journal for Artists, Winter. pp.9-13
Flood, Richard (ed.). Notations (introduction by Nancy Princenthal)
1985
Boudaille, Georges. “La Nouvelle Biennale de Paris,” Beaux Arts. pp.204-205
1983
McEvilley, Thomas. “Art in the Dark,” Artforum, Summer. pp.62-71
“Ten Top Performances of 1983,” High Performance, Vol. 5, No. 4
1982
“X-Marine,” High Performance, Spring/Summer. p.99
1981
Kim Jones. Spit (an illustrated story, edition of 200, published by the artist)
1979
Burnham, Linda Frye. “Performance Art in Southern California,” High Performance, Sept. pp.2-16
KCRW, Santa Monica, CA. (radio interview with Barry Brennan and Charles Hill)
1977
“Rat Book,” Dumb Ox, Spring, No. 4. p.26
1976
Kuhn, Annette. “Culture Shock,” The Village Voice, April 22
SELECTED MUSEUM COLLECTIONS
The Metropolitan Museum of Art, New York, NY
The Museum of Modern Art, New York, NY
Whitney Museum of American Art, New York, NY
The Museum of Contemporary Art, Los Angeles, CA
L.A.C.M.A. (The Los Angeles County Museum of Art), Los Angeles, CA
Hammer Museum, Los Angeles, CA
The San Francisco Museum of Modern Art, San Francisco, CA
Santa Barbara Museum of Art, Santa Barbara, CA
Indianapolis Museum of Art, Indianapolis, IN
Centre Pompidou, Paris, France
Museum of Old and New Art, Tasmania, Australia